Friday, July 29, 2005


I've always been interested in History. It is something that my parents, especially my mother, have planted and fed in me from when I was very young. And although I have never defined myself as a particularly religious or even spiritual, religious History fascinates me. Another thing that interest me is etymology, the study of the origin of words. Last but not least, my lover happens to be interested by genocides almost to the point of obsession. All this combined leads me to write this entry about the Cathars.

The word Cathars has the same etymology as catharsis, derived from the Greek katharos, "pure". The Cathars were a gnostic Christian sect that arose in the 11th century, an offshoot of a small surviving European gnostic community that emigrated to the Albigensian region in the south of France. They deemed themselves "pure", taking vows of chastity, poverty and non-violence.

As the Catholic Church became the dominant religious force in France, discontentment as the behaviour of the clergy grew. Far from being pillars of morality, priests were living lives of debauchery where abstinence and distance from Earthly belongings had little room. It was not uncommon for them to selling salvation to the highest bidder and accumulate large amounts of property and personal wealth.

By the early 13th century, Catharism was the majority religion in the area, supported by the nobility as well as the common people. Naturally, the Roman Catholic Church could not tolerate the existence of this sect although accounts differ on whether it considered the Cathars to be Christian heretics or simply not Christians at all. The ironically named Pope Innocent III called a formal Crusade against the Cathars. There followed over forty years of war against the indigenous population.

During this period some 500,000 Languedoc men women and children were massacred; the Counts of Toulouse and their vassels were dispossessed and humiliated, their lands annexed to France. Educated and tolerant Languedoc rulers were replaced by relative barbarians; the Dominican Order was founded and the Inquisition was established to wipe out the last vestiges of resistance; persecutions of Languedoc Jews and other minorities were initiated; the high culture of the Troubadours was lost; lay learning was discouraged; tithes were enforced; the Languedoc started its economic decline, and the language of the area, Occitan, started its descent from one of the foremost languages in Europe to a regional dialect.

At the end of the extirpation of the Cathars, the Church had convincing proof that a sustained campaign of genocide can work. It also had the precedent of an internal Crusade within Christendom, and the machinery of the first modern police state. This crusade was one of the greatest disasters ever to befall Europe. Catharism is often said to have been completely eradicated by the end of the fourteenth century. Yet there are more than a few vestiges even today, apart from the enduring memory of their martydom and the ruins of the famous "Cathar castles" like Montségur, pictured above.

Thursday, July 28, 2005


"Among Surrealist techniques exploiting the mystique of accident was a kind of collective collage of words or images called the cadavre exquis (exquisite corpse). Based on an old parlor game, it was played by several people, each of whom would write a phrase on a sheet of paper, fold the paper to conceal part of it, and pass it on to the next player for his contribution. The technique got its name from results obtained in initial playing, "Le cadavre exquis boira le vin nouveau" (The exquisite corpse will drink the young wine).*

I guess this is as good a summary of what this Blog is going to be as any. It is going to be a random collage of thoughts, anecdotes, reflexions, musings and other introspections.
Of course, feel free to comment on anything, take it apart, take it with you, add to it, criticise, elaborate...

*Source: "Dada & Surrealist Art," by William S. Rubin, Chief Curator of the Painting and Sculpture Collection, The Museum of Modern Art, New York. Publisher: Harry N. Abrams, Inc., New York 1968